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Faces of Our CommUNAty: “We’re connecting a network of networks across countries and disciplines.”

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EIT Culture and Creativity (C&C) is the ninth Knowledge and Innovation Community of the European Institute of Innovation and Technology (EIT) and aims to transform Europe’s cultural and creative sectors, translating innovation into societal impact. As a founding member of EIT C&C, Una Europa is taking a proactive role in being part of this revolution, bringing the experiences of our 11 partner universities – representing 11 countries, cultures and creative contexts – into the mix.

Few people understand the potential EIT C&C holds for our alliance more than University of Edinburgh’s Caroline Parkinson, Director of Creative at the Edinburgh Futures Institute, and Jermina Stanojev, Cultural Heritage Research Coordinator at KU Leuven. Caroline and Jermina have supported Una Europa’s participation in EIT C&C since the early days, connecting colleagues across academia and industry to bring their expertise, enthusiasm and contacts to energise the initiative.

Here, Caroline and Jermina share their perspective on Una Europa’s journey with EIT C&C and the exciting opportunities the initiative has and will unlock for our alliance community.

This interview is part of Faces of our CommUNAty – a series shining a spotlight on the individuals behind Una Europa.

Caroline, can you summarise Una Europa’s journey with EIT C&C so far?

Caroline: Since the beginning, the purpose of EIT C&C has been to drive innovation in the creative industries and how creative industries drive innovation in other sectors, looking at how to support creators and innovators from diverse sectors and leading to cross-fertilisation across those sectors. In Una Europa, we spoke to colleagues in the alliance working in creative industries and also from our Cultural Heritage Focus Area, which led to us joining the consortium and developing a proposal for the Call.

Una Europa took an active role in supporting the development of the proposal, which took place in 2020 during the pandemic. I remember sitting at my first home working desk, talking online to all these Europeans and thinking, “Oh my goodness, this is incredible, we’re going to create this amazing thing!”. In the alliance we developed a core group to work on EIT C&C, inviting anyone who wanted to actively participate in contributing to the proposal, and later, once awarded, to the KIC [Knowledge and Innovation Community] itself. During the proposal phase we conducted an online workshop of all 11 universities where we mapped our specialties, industry connections, network relationships, and industrial partnerships linked to specific programmes, as well as what we have achieved as Una Europa, such as the Doctoral Programme in Cultural Heritage. This is what we brought to the consortium, to highlight how we would be a good strategic partner.

For four years we have had this informal group working on EIT C&C in Una Europa, following the initiative from proposal-writing stage through the start-up phase to today. We have refreshed the group at certain points, as it is quite a long time for people to be so intensively engaged, but as an alliance we have remained involved to understand our place in the KIC and what we can do moving forward. In the start-up phase, we acted as a supportive, helpful, creative, constructive, sometimes critical friend to the KIC, offering help, people and expertise right through the four years.

" For me, the meaningful in-person exchange remains irreplaceable as it generates the kind of insight and inspiration that simply cannot be replicated online. I find these 'spillovers', which help spark new projects beyond the scope of our current workshops, emerge most often during informal gatherings. "

Jermina Stanojev
Cultural Heritage Research Coordinator at KU Leuven

From your perspective, what is the driving force behind Una Europa’s involvement in EIT C&C?

Caroline: I think that this is the biggest investment in the cultural and creative industries from the EU that we have seen. The promise of a seven-year commitment and millions of euros is one thing, but also that the aim is to connect a network of networks, across all these countries and disciplines that form the creative industries and cultural sectors. We can all learn from each other, share with each other, and cross-innovate. That potential has really kept everyone engaged and motivated, and wanting it to be a success.

Jermina, you have played a central role in organising workshops for the Una Europa community to get involved in EIT C&C.

Can you tell us a bit about these events?

Jermina: In the workshops, which are only for our Una Europa members, we aim to take a highly targeted, structured approach to building and strengthening our capacities for collaboratively developing research project proposals. The format is really hands-on – we sit together, review the work plans and identify shared interest among partners, then split into focused working groups to tackle this together. Our colleagues are very happy with the results and consistently praise the efficiency of the approach, as these calls are usually something very foreign and cumbersome to tackle alone. So doing that in a group, over two days in a very structured way helps them to dive into the work.

The workshops are indirectly related to the work of EIT C&C by contributing to its Key Performance Indicators, but also towards Una Europa. Our main aim is to fully engage with one another and leverage our in-person collaboration for maximum impact.

  • Una Europa EIT C&C Core Group Workshop in Leuven, November 2024.

  • Una Europa EIT C&C Core Group Workshop in Leuven, November 2024.

  • Una Europa EIT C&C Core Group Workshop in Leuven, November 2024.

  • Una Europa EIT C&C Core Group Workshop in Leuven, November 2024.

  • Una Europa EIT C&C Core Group Workshop in Leuven, November 2024.

What is your favourite aspect of these workshops?

Jermina: For me, the meaningful in-person exchange remains irreplaceable as it generates the kind of insight and inspiration that simply cannot be replicated online. All the brilliant ideas and exchanges that we make, especially during breaks and lunches – I like to call them 'spillovers'. As someone who naturally connects ideas and people, I find these spillovers, which help spark new projects beyond the scope of our current workshops, emerge most often during informal gatherings. Although their impact may not be immediately measurable, in the long term I think they are the foundation of what we are trying to build at Una Europa, both in the EIT C&C group and in the Self-Steering Committees [the alliance’s academic bodies aligned to our six Focus Areas].

You are a member of both the Una Europa Cultural Heritage SSC and the Una Europa EIT C&C Core Group.

How do you see the connections and potential collaborations evolving between these groups in the future?

Jermina: Collaboration has to become essential. We need to avoid duplicating efforts. Within both the Core Group and the Self-Steering Committee, each composed of different representatives from diverse disciplines, I have noticed a tendency to gravitate towards similar proposals, developments and tools. Our discussions frequently overlap, yet many colleagues remain unaware of one another’s work. That is something to be bridged. It presents a challenge, but I think it’s getting closer.

Interested in learning more about Una Europa and EIT C&C? Explore the partnership further by visiting our dedicated webpage.